MI Audio Megalith Delta High-Gain Distortion - ZAMENA

MI AUDIO MEGALITH DELTA V1 HIGH-GAIN DISTORTION PEDAL!

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The MI Audio Megalith Delta distortion pedal was designed from the ground up to provide a whole new world of high-gain distortion. Based on the years of research and design that went into the MI Megalith Beta high-gain amplifier, The Megalith Delta is essentially the Beta’s preamp channel in a box that delivers all of the powerfully massive bass and nuanced high-end clarity to any amp.

The Megalith Delta high-gain distortion is a design like no other. All of the tone of the MI Amplification Megalith Beta 180W amplifier distilled down to stompbox form by none other than the designer himself. The Megalith Delta contains all of the tightness and heavy bottom-end giving you that complex and sophisticated signature Megalith tone.

The controls of the Megalith Delta are:

Gain Control: The Megalith Delta starts in mid-gain territory. THIS IS A HIGH GAIN PEDAL! BACK AWAY NOW IF YOU ARE SEARCHING FOR THE VINTAGE BLUES TONES! The GAIN control offers a wide sweep in gain, from solid rock tones, to serious crunch, to every dark shade of brutal imaginable.

The GAIN control has a responsive interaction with each of the three EQ options (EQ SWITCH, CONTOUR, and THREE BAND EQ), allowing you to dial in, for example a slightly woolly tone at minimum gain, or flat-out brutality at maximum.

Gain Boost:  The second footswitch of the pedal, BOOST, takes the pedal from a mid-gain base to its highest gain. This footswitch is equivalent to flicking over to the HIGH GAIN setting on the Megalith Beta amplifier. This BOOST mode not only adds more gain, but also tightens the response up considerably, with more of an upper mid emphasis.

Contour Control:  The CONTOUR control is another unique feature of the Megalith design. In the Megalith Beta amplifier; it affects the frequency response of the phase inverter in the power amp. I went to a lot of effort to recreate the CONTOUR control in the Megalith Delta pedal to mimic this response by designing a phase-inverter like stage, and integrating the CONTOUR control into it.

Fully clock-wise, it’s fat and midrangy, with a slightly rolled off top end. As the CONTOUR control is turned down, the mids start to scoop out, and the sub-bass frequencies tighten up. This is a great control for further refinement of the overall high gain tone. You can also think of this as an alternate midrange control. Try running the MID EQ control high and the CONTOUR low (also adjusting the EQ shift), and visa versa for a huge range of tones.

Three Band EQ (Bass, Middle, Treble): The combinations of the EQ section will give an impressive number of high gain sounds, just like the Megalith Beta amplifier. The first thing to note about the three-band EQ on the Megalith Delta is that each control has a wider sweep than your typical tone stack. Small changes to these controls can have a large impact on the tone. They are also highly interactive.

EQ Shift Switch:  The EQ Shift is a unique feature of the Megalith’s tone controls. This switch shifts the EQ’s bands, allowing you to control different frequencies. Each position has a particular signature tone, and is useful for different things. The middle position “0” shifts the midrange up, and adds quite a bit of low-mids to the sound. This is great for really fattening up the tone, and works particularly well with boost pedals. Position “1” voices the tone stack closer to a traditional British voicing. There’s still a good amount of midrange in the tone, but the tone is more balanced. Position “2” is more of a traditional American voicing, with a more scooped and shifted midrange.

Output (Volume) Section:  A big part of the Megalith Beta amplifier’s huge gain sound is the 160 Watts of headroom! Of course, this would always be the limitation in trying to emulate a high gain amplifier to stomp box form.  

Speaker Simulation:  A unique new feature on the new V2 Megalith is the inclusion of a speaker simulation output on the ring of the output jack. A simple stereo splitter will give you access to a huge 4*12 simulation, perfect for DI recording.