Neumann KMS 105 kondenzatorski vokalni mikrofoni

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Neumann po najboljoj ceni samo u AudioPro Artist radnjama.


KMS 105 je stage mikrofon koju krasi čuvena Neumannov kvalitet studijskih mikrofona. Precizno izrađena kondenzatorska kapsula spojena je sa kvalitetnim i otpornim kućištem,   tako se KMS 105  diči sjajnim karakteristikama otpornosti na visoki SPL i plozive uz veoma male ometajuće zvukove koje nastaju usled rukovanja mikrofonom. Zahvaljujući čvrstoj superkarioidnoj usmernoj karakteristici, KMS 105 je posebno otporan na omraženu mikrofoniju. Već je dugi niz godina referenca za najkvalitetniji live vokalni mikrofon.

SPECIFIKACIJE:

• Acoustical Operating Principle: Pressure gradient transducer
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• Directional Pattern: Supercardioid
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• Frequency Range: 20 Hz-20 kHz
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• Sensitivity at 1 kHz into 1 kohm: 4.5 mV/Pa
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• Rated impedance: 50 ohms
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• Rated load impedance: 1000 ohms
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• Equivalent SPL CCIR 468-3: 28 dB
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• Equivalent SPL DIN/IEC 651: 18 dB-A
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• S/N ratio CCIR 468-3: 66 dB
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• S/N ratio DIN/IEC 651: 76 dB
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• Maximum SPL for THD 0.5%: 150 dB
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• Maximum output voltage: 12 dBu
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• Dyn. range of the mic. amplifier DIN/IEC 651: 132 dB
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• Supply voltage: 48 V +/- 4 V
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• Current consumption: 3.5 mA
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• Matching connector: XLR 3F
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• Weight: approx. 300 g
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• Diameter: 48 mm
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• Length: 180 mm

Designed with superlative vocal reproduction in mind, the KMS 105 brings Neumann quality to the demanding sound reinforcement environment. With its supercardioid polar pattern, low self noise, and uncolored off-axis pickup, the KMS 105 complements in-ear monitor systems. By employing a unique 4-layer acoustic filter, the KMS 105 minimizes popping and wind noise, and with special mechanical and electrical filters, handling noise is virtually eliminated. Because of the superior resolution and linear frequency response, it is very easy for the artist using the KMS 105 to identify whether he or she is "on mic. "

Features

• Neumann sound on stage
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• Excellent transparency for vocals/speech
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• Without off-axis coloration
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• Transformerless output
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• Supercardioid polar pattern with excellent feedback rejection
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• Effective pop shielding without any side effects
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• Set includes stand clamp

Acoustic
When compared to other handheld vocal microphones, the KMS 105 offers a superior resolution of the voice, with extended frequency response and accurate transient detail. Sibilance problems common to other handheld condenser mics are eliminated.

No foam is used in the basket, thus eliminating any "clouding" or "muffling" of the sound. Also, by using a DC-polarized studio condenser capsule, all the nuances of the voice come through with subtlety, power, and focus.


Electrical
The dynamic range of the KMS 105 is 132 dB, allowing reproduction of the artist's full expression, without restraint. The maximum SPL is 150 dB and with a low self noise of 18 dB-A, a greater gain can be used without risk of adding noise to the mix. This way, the artist is able to use the microphone at a greater distance - therefore maintaining a wide range of creative freedom during the performance.



These drawbacks can be eliminated by selecting open mesh constructions. With careful dimensioning and selection of different mesh sizes, excellent pop and wind attenuation can be delivered, as is well known from the standard studio-use pop screens PS 10 and PS 20, made of 2 layers of spaced fabric.

In the KMS 105 a combination of 4 wire meshes with different mesh sizes is used. The chosen combination yields a very constant polar pattern, while maintaining the capsule's acoustic frontal frequency response. Naturally, the outer microphone basket is hardened steel, due to the required ruggedness for on-stage use.

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