Neumann KH120 A G

Neumann KH120 A G Powerful compact bi-amplified studio monitor with superb impulse response and resolution.


PRECISION REDEFINED

The KH 120 is Neumann's trailblazer model and development yardstick for compact studio monitors. It has been a reference class for close-range monitoring since 2011. Enormous power reserves meet high-precision sound conduction. The result: Maximum signal fidelity and distinctly contoured transients across the entire, neutrally designed frequency response. This enables you to precisely control tonal depth, spatial image and even the smallest details in the mix.

The KH 120 is a two-way bi-amplified monitor with thermally protected class-AB amplifiers (80 W each). Just like the drivers, its Mathematically Modeled Dispersion™ (MMD™ ) waveguide is calculated with an optimal level of precision. Sound distributed in a horizontally precise manner ensures flexibility in the listening position; the narrower vertical dispersion reduces the negative effects of nearby reflections – for example from a desk or mixing console. The finely controlled dispersion characteristics optimize reproduction in even the most varied of room configurations.

BEST WORKING ENVIRONMENT: CLOSE TO PROFESSIONAL EARS

The KH 120 is typically used in near-field applications such as project, music, broadcast and post-production studios for recording, mixing and mastering. It it also available as a digital input “ D” version.

PORTS AND HIGH DYNAMICS: NO LONGER A CONTRADICTION

With its digital switched-mode power supply and bi-amplification, the KH 120 realizes sound pressure of up to 111.1 dB and in doing so, retains a high-resolution and neutral representation across the entire frequency response. This provides sufficient energy for maximum dynamics without distortion and losses. As a result, the bass goes down to impressive 52 Hz. Despite using ports, there is no “ overhang” in the bass response. The transient response remains well in control. The optimized design of the drivers delivers clean sound right down to the lowest parts of the 50 Hz region. This rich foundation offers enough room to work cleanly on the mix without the necessity for a supplementary subwoofer. In the demanding treble range, the specially developed, powerful alloy fabric dome ensures distortion-free reproduction.

Specifikacija Free field frequency response ±6 dB 46 Hz … 24 kHz Free field frequency response ±3 dB 52 Hz … 21 kHz Free field frequency linearity deviation between 100 Hz and 10 kHz ± 1.0 dB Reproduction accuracy between 100 Hz and 10 kHz: 100%, 80%, 50% of loudspeakers produced ±0.97; ±0.40; ±0.23 dB Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu) <20 dB(A) SPL Sine wave output with a THD < 0.5 % at 1 m in half space 95 dB SPL (>120 Hz) Max. SPL calc. in half space at 3% THD at 1m (averaged between 100 Hz and 6 kHz) 111.1 dB SPL Max. SPL in full space at 3% THD at 1m (averaged between 100 Hz and 6 kHz) 105.1 dB SPL Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz) 104.8 dB SPL Max. short term SPL with IEC-weighted noise (IEC 60268-5) at 1 m, in typical listening conditions 107 dB(C) SPL Max. short term SPL with music material at 2.3 m in typical listening conditions (pair / full range) 97 dB(C) SPL Max. short term SPL with music material at 2.3 m, in typical listening conditions (pair with subwoofer) 104 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair full range) 88 / 93 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair with subwoofer) 89 / 94 dB(C) SPL Analog input(s) XLR: analog electronically balanced Analog input impedance 10k Ohms in position 94/108 dB SPL at 1 m; 20k Ohms in position 100/114 dB SPL at 1 m Max. input level +24 dBu Common mode rejection ratio (CMRR) >56 dB @ 15kHz Input gain control (sensitivity) 0 dB . . . -15 dB Output level control (output level in 1 m based on 0 dBu input level) 94; 100; 108; 114 dB SPL Controller design Analog; active Crossover frequency 2.0 kHz Crossover slope 24 dB/oct; 4th order Equalization: Bass 0; -2.5; -5; -7.5 dB Equalization: Low-Mid 0; -1.5; -3; -4.5 dB Equalization: Treble +1; 0; -1; -2 dB

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